Letters from Jerusalem
3 January, 2018

Here is a mixed bag of some interesting type and lettering.


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Some Signs from Jerusalem
2 January, 2018

We just got back from a great trip to Israel, so the next several posts will be some images from the trip.

We had the occasion to go thanks to a call Kimya received from the Bezalel Academy in Jerusalem. She was invited to be one of 6 Indians for to conduct a week-long workshop for the school’s “India Design Week”. Naturally, her theme was typography – her students first learned the basics of the Devanagari script then made a typographic object with bilingual Hebrew and Devanagari lettering.

I didn’t have much to do with the workshop, so I spent my time working on a new Hebrew typeface and wandering around clicking photos all over the city. Here are just a few shop signs from Jerusalem to get started.


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Archivio Tipografico Prints
13 December, 2017

Archivio Tipografico is really great. Based in Turin, Italy, they are making some very cool prints and are super friendly to deal with. I ordered a copy of this awesome eBoy print called Pixel Press. It’s a simple idea that’s ridiculously complicated to execute. The posters are letter press printed, the pixel squares are printed using individually set square sorts, and the five colors means that each poster had to go through the press five times. This production of this alone is impressive, not to even mention the fun illustration of a print shop. Here’s a great video showing the making of it.

There was a problem with the shipping and unfortunately the posters arrived very seriously damaged. Archivio Tipografico was super kind to send a new copy that reached in perfect condition. They also generously threw a bonus poster to make up for the trouble! This one is composed of type all designed by Alessandro Butti. It fits perfectly with some of our other letterpresses alphabet posters.


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A peek into our studio
12 December, 2017

I’ve not shared many photos from our current studio in Mumbai. Here’s a small pano of our two main rooms – the library and studio. We hosted two classes of students last week, this is one of the groups as they were browsing the books and archives.


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Missing Rich Roat
11 December, 2017


(image via: House Industries)

I only had the pleasure to meet Rich Roat a handful of times, yet like many others I’m profoundly saddened by his death. For the last week I’ve been writing and rewriting some sort of thoughts on him… Generally every version has been very bleak. I have yet to make some sort of tribute that leaves you with a of nice nostalgic feeling (check the links below, many other people have done a great job at this). For me I just think it sucks. This news has left me wracked with two conflicting thoughts: I wish I had known him better, but another stupid part of me is thankful that we were not closer friends (as this would be even harder).

House Industries has always been, and probably always will be my favorite type company. I became aware of them somewhere around 2000-2001 while studying graphic design and their remarkable style clicked with me instantly. Thanks to their beautiful printed type specimens (this was almost pre-internet) I became a super fan of their work.

While I was at the University of Reading in 2007, Rich stopped by for a day. He educated and entertained us with House anecdotes of and advice about the type business. The stories and conversations ran well into the evening, so we moved things to the nearest pub to continue in proper British style. For many of us this day was one of the highlights of our year. And personally, I was already envious of Ben Kiel for working at House, but meeting Rich only made me more jealous. (True fact: until I was spontaneously offered a job at Linotype in Germany, I had imagined to move back to the US to apply to House…)

Over the next several years I had a few more chances to hang out with Rich at various type conferences. He was the sort of person that everyone gravitated to and wanted to spend time with. Public events must have really been exhausting for him. Sadly, I never made the pilgrimage to visit House’s Yorklyn studio, and I’m now regretting that even more. I really must still go someday – sooner rather than later.

House Industries celebrated their 25th anniversary by releasing a massive 400 page retrospective book this last May. It’s called The Process is the Inspiration and it is truly excellent; I’d highly recommend it! I promptly pre-ordered my a few hours after it was online, but living in India, I only received the book a few weeks ago (btw, a huge thank you to my parents for lugging so many new books half way around the world). The House book is the first that I’ve dug into from this new haul.

My plan was to read it slowly, savor it, try to make it last a bit. I limited myself to only looking at 100 pages a day (since easily 3/4 of the pages are pictures, it’s really not that much). The first two days were a joy reading the amusing storytelling that House does so well and admiring the beautiful images from their infinite portfolio. The waking up on day 3, I launched Twitter which proceeded to slap me in the face the news of Rich’s passing. It was devastating. All the memories of hanging out with him came back, and the pleasure I had been getting from the House book was lost. I don’t know how much of the text was directly written by Rich, but much of it sounds like him. It became hard to continue reading – but at the same time I wanted to absorb it all… Somehow it felt like one last conversation with him.

When I opened the book on the third morning, this is where I had left off. It seemed like an oddly profound spread.

Surely the situation of currently reading this book has contributed to the enhanced sense of loss… Had I read it a few months ago maybe it would not be as tough now? Regardless, Rich really was special; he was a truly unforgettable person. And he was only 52! He did so much with his life, and I don’t want to imagine how much more he could have done with more time. This sad fact was emphasized when a few pages into day 3’s reading I hit the section on Ed Rondthaler (another legend who also seemed awesome). He lived a ridiculously long 104 years – exactly twice that of Rich. Damn depressing! But I am happy for Ed.

For the whole week I’ve been preoccupied with thoughts of Rich. So when two classes of students came over for studio visits the last couple days, it only seemed appropriate to enlighten them about House Industries. This new generation of designers was thoroughly impressed and inspired. You can’t get printing like this done anywhere in India!

Hopefully more qualified people will continue to share more proper eulogies and memories. My personal account is mostly to emphasize the point that this amazing man profoundly effected on many of us all around the world – even people he barely knew (and certainly there are others who never met him yet also feel similar). I’m still in shock, and frankly, I’m also shocked about being so shocked. I can barely fathom what his colleagues, friends, neighbors, and family must be feeling.

I wish the best for Rich’s wife and two children, I hope they will all be OK. And the same to everyone currently and formerly of House Industries. I really hope that House can continue being awesome and making the rest of us inspired, jealous, and inadequate feeling for many many more years.


(image via: House Industries)

If you want to see a bit more of Rich, he’s still online. I’d recommend his Typo Berlin talk from this year — but read the book first :) Thank you TYPO for making this video available.

Here is a small collection of other people’s thoughts about Rich – most of which are more upbeat than mine. They just go to show that he was beloved by pretty much everyone he met.

Ben Kiel

Tal Leming

Sonja Knecht

Delaware Online

Velocipede Salon

Bicycling Magazine

Design Within Reach

Heath Ceramics


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India Design Week happening now in Jerusalem
11 December, 2017

India Design Week happening now at @vc_bezalel!

Hosted by Bezalel Academy of Arts and Design, Kimya is giving a four day workshop on Devanagari and Indian typography for 20ish eager students.

Photo taken at: תקשורת חזותית בצלאל Visual Communication Bezalel

View in Instagram


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Our library is growing
9 December, 2017

We recently went on a mini book buying spree and then realized that we had nearly ran out of shelf space. Luckily, our custom shelving system is modular and easy to expand. The vertical spacers are welded and powder-coated steel fabricated by local metal dude, so we just had to go back and ask for four more pieces. The shelves are readily available plywood, that only requires 12 holes and a bit of sanding. So now we have 20% more space, and even with the new books added to the collection, there is more room for more shopping!

Also, as you may have already seen, I am in the process of digitally cataloging all these materials. It’s a slow process, but once done will make finding specific resources easier – and more importantly, this will allow us to publish the whole catalog online for everyone’s reference. The current status is that I’ve entered 320 books (accounting for 57,620 pages) till now. The bookshelves are divided into 15 sections, 7 of which are cataloged, 6 are still to go, and two are empty. One of these remaining sections will be relatively simple to do, the others will be more tedious. Of the remaining 5, 3 are type specimens – those will be extremely time consuming. The last two are either about, or written in, other languages and scripts, so they will also tougher to catalog.


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Nukta relaxing on a rainy day
6 December, 2017

Nukta relaxing on a rainy day

Nukta relaxing on a rainy day.

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Work in Progress
5 December, 2017

Currently working on some new letter sculptures. You can see more from this typeface and project over at our instagram account: Collection Typeface.


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Reading our new copy of “The Forms of Our Letters”
1 December, 2017

Reading our new copy of Victor Hammer’s little…

Reading our new copy of Victor Hammer’s little booklet “The Forms of Our Letters”, I’m amazed at how easy it is to read text set in the typeface American Uncial. The forms were often distracting, but reading speed was about normal. It’s also remarkable to see his use of the term “non-Latin” from 1955. He is literally speaking of all languages that are not Latin (as opposed to the current usage which refers to other scripts than the Latin alphabet). This may be the earliest use of non-Latin I’ve seen so far tho. Any other leads you have as to the use and evolution of the term non-Latin would be appreciated!

Photo taken at: Mota Italic

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A big shipment just arrived!
22 November, 2017

We are excited to be adding 26 new books to our collection! Thank you to my parents and sister for lugging the extra 25Kgs from the US to India.


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You’ve been great Delhi & Gurugram
15 November, 2017

You’ve been great Delhi & Gurugram. Thanks for…

I now have even more fodder to post here eventually… But first to clear out the backlog of a few dozen other trips and projects…

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